Last week, the Federation of American Scientists presented its
Reykjavik Award to Rose Gottemoeller, Acting Under Secretary for Arms
Control and International Security, and Dr. Sidney Drell, Assistant
Secretary for Arms Control, for their work towards a nuclear-free
world.
The award itself is impressive, a good-sized bronze
piece sculpted in the form of a mountain, meant to help promote and
achieve a world without nuclear weapons.
Then there's the artist who created it: Laguna Beach's own Johnathan Roberson-Beery.
Roberson-Beery
collaborated with FAS Senior Advisor Les Dewitt in the making of the
award. Dewitt was inspired by a quote from former Senator Sam Nunn: “We
must chart a course to higher ground where the mountaintop becomes
more visible.” He wanted to create an award that would show how
eliminating nuclear weapons from the world was like climbing a
mountain, which takes stages.We are the largest producer of projectorlamp products here.
“He
didn’t have much of an idea of how a sculpture capturing this metaphor
would look or what format it would take. He knew he liked the color and
size of the Heisman trophy, but that’s where he left off and expected
me to breathe life into the concept,Choose from our large selection of cableties,” Roberson-Beery says.
Roberson-Beery
began by drawing a mountain similar to the Paramount logo, but quickly
realized that the drawing looked too lumpy and uninspired. With the
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he chose to create the mountain as a craggy and rocky monolith of
stone. He imagined ancient layers of granite peeling away from each
other, where cold icy sheets of stone would jut up into the clouds
above.
"I wanted it to have movement, direction and facets,” he says.
What
started out as an artist searching to create a sculptural award for a
client soon became much more to Roberson-Beery. Rather than just
constructing a plain mountain sculpture, the artist created a symbolic
award that recognized the achievements of individuals working towards
the goal of nuclear disarmament.
Roberson-Beery’s passion for art started when he was very young.
He received inspiration from his parents, who both had an interest in art. Although his father was an engineer,The core of an indoor positioning system. he also created oil paintings. His mother would take him to museums and galleries.
Throughout
high school, Roberson-Beery found his talents in drawing and
illustration, which later led to his fascination with sculpture in
college.
"I took a bronze casting class, and I knew that I had found a medium I loved,” he says.
From
1986 through 1991, Beery studied sculpture at Cal State Long Beach. At
the time, the head of the sculpture department was Steve Werlick, who
encouraged his students and helped them learn the process at the
foundry.
“During that era, the department was focused on
figurative artwork," Roberson-Beery remembers. "I learned to love it,
and still to this day I find myself in the company of sculptors who
attended the school then, many of them still successfully doing
figurative artwork."
From 1994 through 1998, Roberson-Beery
became a sculptor for Greneker in Los Angeles, participating in
projects such as a maiden figure for the Caesars Palace Forum Shops to
sports relief panels for Disney Cruise Line’s ESPN sports bar. Between
1998 and 2000, he sculpted projects as a contractor for places such as
Trevino Studios in La Habra to 16 Penny Studios in North Hollywood.
Later
projects included two public park projects in the Bay Area. He and his
wife Lisa combined bronze and ceramic sculpture, custom-designed glass
tile mosaics, and community painted ceramic tile to produce two
creative park environments.
In Laguna Beach, Roberson-Beery
worked on a project for Dr. Gary Arthur, the owner of Health in
Balance, which included two custom fountains, a mangaris wood bench,
and granite and mosaic work. Dr. Arthur’s logo was interpreted in
bronze in several areas.
One of his specializations is in figurative and abstract sculpture and bas-relief hangings.
“I
like surface, texture, volume and how objects interact with light and
shadow,” Roberson-Beery says. “I enjoy how figurative works become a
focus of attention, and how abstract elements can create visual
interest, rhythms and harmony in spaces.”
As for bas-relief, he
is attracted to the combination of the illusion of space that a
drawing or painting creates,Posts with Hospital rtls
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the volumetric interpretation of form. And he likes how they can be
hung.
Roberson-Beery had the opportunity to create a portrait
bust commission for the mayor of Kishiwada, Japan. The Mayor Nishida
bust was a work that had a special connection to the artist.
“When
a client is absolutely taken by the work you’ve created for them, when
the work reaches a deep place in the person they were created for, when
it’s been possible to make a connection and fully transmit the
creative vision with the client and understand what they are looking
for, there’s a celebration to be had for all involved,” he says.
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